Disneyland sells out of Oogie Boogie Bash tickets in 12 hours after ‘nightmare’ sales launch

• July 12, 2023

Oogie Boogie Bash fans who waited 12 hours in a “nightmare” virtual queue to buy tickets only to experience online system errors and find all the dates sold out fumed on social media about Disneyland’s “epic fail.”

Disneyland sold out of every available date for Oogie Boogie Bash in September and October on the first day tickets went on sale to the general public on Tuesday, July 11.

SEE ALSO: These 12 Disneyland ride vehicles could fetch $750,000 at auction

Oogie Boogie Bash will run once again at Disney California Adventure on 25 select nights: Sept. 5, 7, 10, 12, 14, 17, 19, 21, 24, 26, 28 and Oct. 1, 3, 5, 8, 10, 12, 15, 17, 19, 22, 24, 26, 29 and 31.

Fans who anxiously waited for a chance to buy tickets to the wildly popular Halloween event fretted all day as they watched dates repeatedly sell out on the Oogie Boogie Bash website.

“Oogie Boogie Bash tickets sold out while I was still sitting in the queue,” Iced Natcchiato wrote on Twitter. “I’ve been in the queue all day.”

SEE ALSO: She picks through Disneyland trash with one goal: Zero waste by 2030

Tickets for the annual event initially went on sale to Magic Keyholders on June 27 and to the general public on June 29. The annual passholder sale went off with relatively few hiccups, but technical troubles started with the Oogie Boogie Bash website shortly after the general public tickets went on sale. The technical troubles forced Disneyland to reschedule the general public online ticket sale to Tuesday — when hourslong waits further infuriated the Oogie Boogie faithful.

Fuming fans took to social media to vent their anger at Disneyland’s #EpicFail.

“Been waiting in the queue for six hours to get tix for Oogie Boogie Bash for my kids,” Kimberly A wrote on Twitter. “Now I’m getting a message tix may not be available. R u kidding me?”

SEE ALSO: Disneyland Duck Races turn It’s a Small World into the world’s biggest bathtub — See photos

Throughout the day, Disneyland warned those waiting in the virtual queue that tickets for the remaining dates of the after-hours, separate admission event were “extremely limited.”

“Due to high guest demand, you may see that your wait time begin to fluctuate and you may not be able to enter the ticket purchasing process,” according to the Disneyland website.

Dee Cruzie was heartbroken to get shut out of Oogie Boogie Bash tickets this year.

“What a major disappointment,” Dee Cruzie wrote on Twitter. “Disneyland wasted another 7 hours of my time to never even progress in the queue, yet some people getting them in 20 minutes? What a joke.”

Karina Gizel kept getting the same error message after finally making it out of the virtual queue: “Your request to add tickets can’t be processed.”

“Tried every date available for one ticket and this message kept popping up,” Gizel wrote on Twitter. “After this it kicked me out and reset my waiting time.”

Sean Nyberg summed up the feelings of many frustrated Disneyland fans: “This has been a nightmare.”

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This year’s edition of Oogie Boogie Bash will include familiar nighttime entertainment like the Frightfully Fun Parade, Villains Grove and “Mickey’s Trick and Treat” show along with trick-or-treat trails. Character costumes, food and merchandise typically have a seasonal flair.

Prices for the 2023 event range from $134 to $189. The 5-hour after-party starts at 6 p.m. with mix-in beginning three hours earlier.

​ Orange County Register 

California Legislature wants to throw a lot of good money after bad

• July 12, 2023

If throwing good money after bad is ever made an Olympic sport, California will bring home enough gold to pay off the deficit.

Four measures pending in the Legislature would enable tax increases for the purpose of spending more money on failed policies and mismanaged agencies. These bills should be stopped before they unleash burdensome new costs on Californians already struggling with the high cost of living.

Assembly Bill 1679 would allow Los Angeles County to further exceed the cap on local sales taxes, which state law limits to a combined total of 2% over the state’s 7.25% sales tax. Special state laws like this one have already enabled the cap to be exceeded, with the result that 47 cities in L.A. County now pay a sales tax rate of 10.25%.

AB 1679 would allow an additional half-percent increase in L.A. County’s sales tax to fund homelessness services and housing, replacing and expanding Measure H, the quarter-percent sales tax passed in 2017 and set to expire in 2027. AB 1679 has already passed the Assembly and will be heard today July 12 in the Senate Governance and Finance Committee.

Another bill that will be heard in the same committee today is Assembly Bill 1607. It would expand the power of the Los Angeles County Affordable Housing Solutions Agency to place tax increases on the ballot to fund homelessness programs. LACAHSA was created in 2022 by Senate Bill 679 and empowered to put tax increases on the ballot to fund renter protections, affordable housing preservation and new affordable housing production. It was specifically excluded from funding homelessness programs, but AB 1607 would remove that restriction.

If Assembly Bills 1679 and 1607 are enacted, voters in L.A. County could see more tax increases for homelessness programs on the 2024 ballot. Notably, courts have said special taxes need only a simple majority to pass, not the two-thirds required for special taxes under Proposition 13, if placed on the ballot by a citizens’ initiative.

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A direct effort to undercut the taxpayer protections in Proposition 13 is Assembly Constitutional Amendment 1, set for a hearing today in the Assembly Local Government committee. ACA 1 would change the state constitution to allow local tax increases for certain public housing programs and any kind of “infrastructure” to pass with just 55% of the vote instead of two-thirds. A recent amendment to ACA 1 would extend the power to place taxes on the ballot to “a regional transportation commission” and “an association of governments” as well a city, county or special district.

A fourth bill seeking higher revenue is Senate Bill 532, which would increase bridge tolls in the Bay Area by $1.50, a tax increase to bail out “transit operators” that are “experiencing a financial shortfall.”

Public transit agencies in California say they’re facing a “fiscal cliff” caused by a lack of ridership and the end of federal COVID relief funding. That’s not a good reason to raise the taxes of the very people who are finding these systems unusable and choosing not to ride them.

Instead of addressing the waste and failures of costly homelessness policies and mismanaged transit agencies, Sacramento is greasing the skids for more tax increases. This would be a good time to call your representatives. Look them up at findyourrep.legislature.ca.gov.

​ Orange County Register 

Metrolink, Pacific Surfliner rail service set to resume in San Clemente — again

• July 12, 2023

Following months of on-and-off closures following numerous landslides that have halted ocean-front rail service, Metrolink and Pacific Surfliner are expected to resume service through San Clemente on Monday, July 17.

Emergency work the past month to build a temporary barrier wall to protect the tracks following landslides at Casa Romantica Cultural Center and Gardens has been completed, according to a news alert.

The wall is 250 feet long and 12 feet high with the piles set 32 feet beneath the ground, according to rail agencies.

“Rail service has been suspended more days this year than not — our coastal economy relies on visitors, commuters and tourists to support our local businesses,” said OC Supervisor Katrina Foley, who serves as an Orange County Transportation Authority director. “Orange County transit is back on track thanks to the OCTA staff, California Transportation Commission, Metrolink, Amtrak Pacific Surfliner and the expedient efforts of our partners to build the soldier pile wall and protect our rail corridor.”

An initial halt to passenger rail service began on April 27 when the slope behind Casa Romantica began to slide. Service temporarily resumed in late May but was halted again on June 5, when significant additional sliding occurred.

Metrolink and OCTA worked in partnership to build the temporary barrier wall on an emergency basis to protect the tracks. The city of San Clemente is continuing work to stabilize the hillside for the long term.

A separate $13.7 million project in the works on the other end of town since October halted service for months until earlier this year. The tracks shifted along about 700 feet of rail, pinched between a collapsing hillside and waves on the ocean side battering the tracks near homes in the Cyprus Shore Homeowners Association.

That project to stabilize the hillside is also nearing completion and not affecting train service at this time.

OCTA in March voted to spend millions to study short and long-term solutions for the 7-mile stretch of train tracks through Dana Point and San Clemente that run right along the shore.

Metrolink and Amtrak both use the rail line for service from the Los Angeles and Inland Empire areas to San Diego, and it is also a key route for freight trains.

Metrolink customers can find updates and schedules here while Amtrak commuters can find alerts here.

​ Orange County Register 

Comedian and actor Tracy Morgan is coming to Morongo Casino & Resort

• July 12, 2023

Stand-up comedian and actor Tracy Morgan will make a fall tour stop at Morongo Casino Resort & Spa in Cabazon on Friday, Sept. 29.

Tickets for the show are on sale now for $49-$79 at Ticketmaster.com.

Morgan, a Brooklyn, New York native, began his career in stand-up comedy by performing at various clubs throughout New York City. Before landing major roles, he appeared on the sitcom “Martin” and the sketch comedy show “Uptown Comedy Club.”

In 1996, Morgan joined “Saturday Night Live” after television writer and film producer Lorne Michaels picked him over Stephen Colbert. The comedian performed as a regular until 2003 and with recurring characters such as Brian Fellow and Astronaut Jones.

After his run on SNL, Morgan successfully teamed up with former SNL castmate and writer Tina Fey on the Emmy and Golden Globe Award-winning NBC sitcom “30 Rock.” He played the character Tracy Jordan, an impulsive movie star, a role that earned Morgan an Emmy Award. His most recent work in TV comedy was his three-season run of “The Last O.G.,” which aired on TBS from 2018-2021.

Morgan’s film credits include “G-Force,” the animated film “Rio” and most recently he starred in “Coming 2 America” alongside Eddie Murphy. Last year, the SNL alum became the ninth recipient of the Friars Club’s Entertainment Icon Award, joining past winners Tony Bennett, Martin Scorsese, Tom Cruise, Robert De Niro and Billy Crystal.

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​ Orange County Register 

After 30 years of Jimmy Eat World, Jim Adkins thinks this band thing might work out

• July 12, 2023

There’s a reason Jimmy Eat World has been such a constant presence in Southern California over the three decades since the alternative rock band formed in Mesa, Arizona in 1993.

Just look at a map, singer-guitarist Jim Adkins explains.

“I mean any tour that we would do, that’s the first place we would drive,” he says on a recent call. “Because like if you head east, I think that’s like five hours to El Paso but then it’s like 14 hours to anywhere else in Texas, and the drives get so long.

“You can go to San Diego and work your way up the coast and play so many gigs,” Adkins says. “Especially if you’re small. Like, the Troubadour isn’t gonna get mad you did a gig in Riverside. There’s no exclusion clause when you’re playing Koo’s Café in Santa Ana. That’s fine, man.”

In the early years of Jimmy Eat World, the Southern California circuit came to feel a lot like home.

“We just did what you normally do in your hometown,” Adkins says. “Working our way up the coast we just made friends. Met a lot of really amazing musicians and other bands that we’re friends with to this day.

“It’s just a part of our formative years, you know, not just as a music project but us as people.”

With alternative hits such as “The Middle” and “Sweetness,” both from the breakout 2001 album “Bleed American,” as well as “Pain” and “Work” from the 2004 follow-up “Futures,” Jimmy Eat World grew ever more popular in Southern California, playing bigger venues and frequently showing up on KROQ Weenie Roast and Almost Acoustic Christmas lineups.

This summer, Jimmy Eat World, which includes guitarist Tom Linton and drummer Zack Lind, both of whom like Adkins have been in the band since the start, and bassist Rick Burch, who joined a year or so later, is on tour with Manchester Orchestra. Their coheadlining Amplified Echoes Tour plays the Greek Theatre in Los Angeles on July 19.

In an interview edited for length and clarity, Adkins talked about everything from the tour to the two bands deciding to cover one of each other’s songs, three decades of Jimmy Eat World to the moment when Adkins says he finally felt like this band thing was going to work out all right.

Q: How did you guys and Manchester Orchestra get together for this and what kind of show do you have planned for the Greek?

A: They’re a band I feel like have been friends of friends for a really long time. I’m surprised we’ve never ended up doing gigs before. There were a couple of times where we tried to tour with them but for whatever reason it didn’t materialize. This time the stars aligned.

The last couple of big tours we’ve done we’ve been clearly the support act. And with this one, it feels like it’s truly a night that us and Manchester Orchestra are hosting. We’re not going to neglect the songs that I know everybody wants to hear but I think in the extra time that we have we’re going to be playing some stuff that maybe fans haven’t heard in a while.

Q: You also recorded each other’s songs. You covered ‘Telepath’ and they did ‘Table For Glasses.’ What was that like?

A: Andy (Hull) from Manchester Orchestra and I’d been talking back and forth and we just sort of decided to do this. And we weren’t going to tell each other what song we’d chosen or show each other until basically we were done.

I kept making jokes to Andy like, ‘Oh, man, I don’t know if we’re gonna make it in time. I’ve got to find a trombone player for a ska version of ‘Gold.’ I think it really freaked him out. ‘It’s just a perfect chance to showcase some local rappers. It’s gonna be polarizing but you’re gonna love it.’

Q: How did you find the Jimmy Eat World way into a Manchester Orchestra song?

A: I approach cover songs a couple of ways. I think you can look at it like a karaoke version. Like you get to pretend you’re in that band, and that’s fun. And there’s like, ‘This is one of our old demos which we forgot about,’ and just what jumps out at you, what’s exciting about this. And you forget that it’s already a released thing and people like it. You just chase that with abandon and see what happens.

Both ways are really fun, but I think it’s kind of obvious we went with the abandoned way. We just made it ours, like a Jimmy Eat World song really.

Q: Thirty years as a band is a noteworthy achievement. In 1993, what were your realistic hopes for the band?

A: Honestly, I feel like it was just something fun. The horizon of our ambitions didn’t extend further than maybe next month’s gig. Or it would be awesome if we were able to put out a 7-inch (record). Or it’d be awesome if we got to book a show that was out of town. That’s all we kind of hoped for this thing.

Coming from Mesa, it’s not exactly like a hip, happening music scene, or at least it wasn’t when we were kids. And so we fell into a group of people that felt very realistic and motivated by pure intentions. It’s as empowering as it is nihilistic. You can do whatever you want because no one cares. The bummer is when you’re really stoked on something no one cares. So you better be doing it just for the reward of challenging yourself and making something exciting for you.

Q: So when did you finally feel like this was something that would last? Something that would pay the bills?

A: I mean, sometime around 2011 I think I might have started to let it sink in that this is what I do. Everything up until then was always just, ‘What is the next most realistic goal to set our sights on?’ Like after we did put out a 7-inch we could probably make an album. And then after we did play out of town it was like we could probably maybe do a week of touring.

Yeah, sometime around 2011, I guess maybe around our ‘Chase This Light’ record, I felt like, ‘Wow, I’m kind of doing this. I guess this is what I do.’ I still think it could go away at any minute. I still identify as the 14-year-old metal kid who really can’t take this that seriously.

Q: It’s interesting to me that even after all the success of ‘Bleed American,’ which had some of your biggest songs, the ones you’ve got to play every night, you still quite feel it.

A: I mean, it’s after the gig and I’m looking at a rusted drain in the concrete floor in the converted German slaughterhouse that we just played. And then our dressing room is right next to Cameron Diaz and we’re playing ‘Saturday Night Live.’ Like how do you let that go to your head? ‘OK, I’m this important,’ or, ‘Yeah, dude, here we are, man.’ It’s insane. Insane. Like there’s no feeling of job security or financial security or career status that comes with something that insane.

Q: I can see how that could feel disorienting or unsettled.

A: You’re just laughing to yourself and just happy that you’re there. And there’s immense gratitude for being there, but there’s not the feeling of something earned to be there. It’s like you are really lucky and you get to be here for now. Or here’s where you get to be right now, and maybe tomorrow you’ll still be here. Maybe not.

I don’t know, a lot of people don’t get that. But you are now, so, like, have fun. Because that’s what you got.

Jimmy Eat World / Manchester Orchestra

When: Wednesday, July 19

Where: Greek Theatre, 2700 N. Vermont Ave., Los Angeles

How much: $39.50-$79.50 plus fees

For more: Jimmyeatworld.com

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​ Orange County Register 

12 ways to allergy-proof your home — or at least make you sneeze less

• July 12, 2023

Achoo! Wheeze. Pass the tissues, please.

More than one in four Americans suffer from seasonal allergies, or hay fever, according to the Asthma and Allergy Foundation of America. If you’re one of them, you know firsthand that taking in the great outdoors can make your eyes water, your throat itch, your nose run, and your pockets and waste baskets fill with soggy wads of tissue.

Right now, most parts of the country are in the thick of it. Though pollen seasons vary depending on location, the cycle goes roughly like this: Tree pollen peaks from spring to early summer, when grass pollen kicks up, followed by weed pollen in the fall. So much for those summer picnics.

But you can make your home a haven from allergens by practicing some basic house hygiene, according to the allergy foundation.

“It takes effort,” says biologist Cliff Han, founder of New Mexico-based AllerPops, which makes allergy-relief products. “By keeping the air in your home clean, the dust at bay, and your bedding washed, you can significantly reduce your symptoms and make allergy season more bearable.”

Allergies happen when our immune system sees a substance such as pollen, dust or mold as harmful and overreacts, says Han, who suffers from seasonal allergies himself. “We know what triggers airborne allergies,” he says. “If you don’t have those triggers around, you get better.”

Here are 12 household recommendations from Han and the allergy foundation to help.

Clear the air. During pollen season, do what you can to keep pollen from coming indoors. Keep doors and windows closed. Run the air conditioner and invest in an air purification system that has a HEPA (for high-efficiency particulate air) filter.

Shake it off. When you do go out, wear a light removable outer layer of clothing and a hat or scarf to keep pollen off your skin and hair. When you come in, remove the outer layer and drop it in a hamper. Leave your hat and shoes at the door.

Wash up. Once inside, wash your face, nose and hands. “When exposed to water, pollen will stop traveling,” Han says. Nasal rinses help remove pollen from your nose. Nasal sprays are also helpful.

Firm up floors and furniture. If possible, opt for wood or tile, as opposed to carpet. If you have carpet, a low pile is better than a high pile. Once a week, damp mop hard floors and vacuum carpets with a vacuum with a HEPA filter. Washable area rugs at doorways are also a good line of defense. Similarly, leather, wood, vinyl and plastic furnishings trap less pollen and dust and are easier to clean than upholstered furniture. Regularly vacuum the latter.

Wash bedding at least weekly. Wrap pillows and mattresses in dust-mite-proof covers. Wash sheets and blankets weekly in water that’s at least 130 degrees. Wash pillows and comforters often as well. Experts also recommend showering before bed.

Clean filters. Clean air conditioning ducts often and change filters monthly during high pollen seasons. If you’re prone to allergies, have someone else do this job or wear a mask and gloves.

Clean rooms from top to bottom. When dusting, start at the top and work down, so you don’t knock dust onto freshly cleaned surfaces. Use a microfiber cloth to absorb dust, mold particles and pollen.

Practice pet control. If you have pets, try to keep them from bringing home pollen. Bathe them often. When they come in from outside, wipe their feet and their fur with a damp towel. Don’t let them get on beds or sofas.

Mind the mold. Mold thrives in moist environments. Keep it at bay by fixing water leaks promptly, running the fan when showering and by keeping showers, shower curtains, tubs and toilets super clean and sanitary. Also limit yourself to a few houseplants, which are prone to develop mold.

Cut the clutter. Anything that traps dust can trip allergies. Keep the dust-collecting bric-a-brac to a minimum; opt for fewer, large, easy-to-polish accessories instead. Store children’s toys and stuffed animals in plastic bins.

Avoid wood-burning fireplaces. Wood and tobacco smoke can worsen respiratory allergies.

Keep cool. Hot humid houses are breeding grounds for dust mites and mold. Use the air conditioner to keep your house cool and humidity down.

Here’s hoping you breathe a little easier this summer.

Marni Jameson is the author of six home and lifestyle books, including “Downsizing the Family Home – What to Save, What to Let Go.” Reach her at www.marnijameson.com.

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​ Orange County Register 

Rockies’ Elias Díaz becomes unlikely All-Star Game MVP

• July 12, 2023

By RONALD BLUM AP Baseball Writer

SEATTLE — Elias Díaz might be the most unlikely All-Star Game MVP.

Just 3½ years after Pittsburgh failed to offer a contract and allowed him to become a free agent, Diaz hit a go-ahead, two-run homer off of Félix Bautista in the eighth inning to lift the National League over the American, 3-2, on Tuesday night.

A first-time All-Star at age 32, the Colorado catcher put his name on an award won by Willie Mays, Joe Morgan, Frank and Brooks Robinson, both Ken Griffeys and Mike Trout.

“I honestly can’t believe that my name is going to be next to some of those names,” Díaz said through a translator, clutching the crystal bat awarded the MVP. “Never in my wildest dreams did I imagine that I would be in this position.”

After five years with the Pirates, Díaz found out from his agent in December 2019 he had been non-tendered.

“When they let me go, I didn’t allow myself to feel defeated,” Díaz said. “I maintained my confidence and stayed positive.”

He got a minor league deal with the Rockies a month later, made the big league roster at the start of the pandemic–delayed 2020 season and earned a $1.2 million big league contract for 2021. He hit .246 with 18 homers and 44 RBIs, and Colorado rewarded him with a $14.5 million, three-year agreement.

Díaz batted .228 with nine homers and 51 RBIs last year, then earned his first All-Star trip by batting .277 with nine homers and 45 RBIs heading into this year’s break.

“He’s really improved in every phase of his game,” said NL manager Rob Thomson of the Philadelphia Phillies.

Thomson had called Rockies manager Bud Black to learn about Díaz.

“He said: ‘This is one of the finest people you’ll ever meet. He’s a complete team player,’” Thomson related. “‘Do anything you want. If he doesn’t play, that’s fine. If he does play, that would be great. He’s just happy to be there.’”

With the AL clinging to a 2-1 lead, Nick Castellanos worked a nine-pitch walk against Bautista leading off the eighth. Díaz batted for Jorge Soler and with a 2-and-2 count drove a splitter 360 feet, where it landed under the manual scoreboard behind the left-field wall. The 20th pinch homer in All-Star history was a no-doubt drive. Díaz took three small steps and watched before starting his trot.

“A splitter that stayed up in the zone,” said Bautista, the Baltimore Orioles closer who had given up one homer in 56 at-bats this season ending with that pitch.

Díaz jumped as he approached the dugout and exchanged slaps with teammates. Geraldo Perdomo doused him with water. A short while later, he became the first Venezuelan to earn All-Star MVP honors since Dave Concepción in 1972. Díaz’s jersey is going to the Hall of Fame.

“Maybe the third or fourth inning, Orlando Arcia, he was telling me that ‘Hey, you’re going to go up to bat you’re going to hit a home run, and you’re going to win the MVP,’” Díaz recalled. “I didn’t think it was going to turn into all this.”

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​ Orange County Register 

Angels’ Shohei Ohtani gets free agency pitch from Mariners fans at All-Star Game

• July 12, 2023

By TIM BOOTH AP Sports Writer

SEATTLE — Angels star Shohei Ohtani had an entire stadium asking him in unison to come to Seattle in free agency.

“Never experienced anything like that, but I definitely heard it,” the two-position star said through his interpreter. “But I was trying to focus on my at-bat.”

Ohtani was the biggest star of the All-Star Game on Tuesday night, even if his appearance was rather uneventful. Ohtani struck out and walked in his two at-bats as the American League saw its nine-game win streak come to an end with a 3-2 loss to the National League.

But it was what happened while Ohtani was in the batter’s box that became notable.

With the Seattle crowd well aware of Ohtani’s pending free agency this offseason, the stadium broke out into loud chants of “Come to Seattle! Come to Seattle!”

“Every time I come here the fans are passionate, they’re really into the game. So it’s very impressive,” Ohtani said. “I actually spent a couple offseasons in Seattle. So I like the city. It’s beautiful.”

The chants – despite “Come to Seattle” being one awkward beat too many for the typical four syllables that proceed the clap-clap-clapclapclap – were impossible to miss and a little different than the loud pop he received during pregame introductions, which was only topped by Seattle’s three representatives.

“I did talk to him a little bit but nothing specific about him coming to Seattle, just asked him a couple questions,” Seattle star Julio Rodríguez said. “But that was cool. That was a pretty interesting thing to see how the whole city came (together).”

Ohtani’s free agency this offseason was the buzz of the All-Star Game with some pondering whether a deal in the $600 million (or more) range could be possible for the two-way star.

“I think a lot of people are lobbying for Shohei, to tell you the truth. And that was a sign of affection and that they wanted him,” AL manager Dusty Baker said.

His future could become a topic sooner than later if the Angels continue to fade with three-time AL MVP Mike Trout sidelined by injury. The Angels entered the All-Star break having lost five straight and nine of 10 to drop below .500. The Angels have said they have no intention of dealing Ohtani prior to the trade deadline, but there is always the possibility that could change over the next few weeks.

“I’m not really going to change anything personally, just keep it the same,” Ohtani said. “I know we have a lot of injuries right now and we’re in a tough spot, but we need to hang in there because we got guys coming back soon. So try to hang in there and get as many wins until all the guys come back.”

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“Come to Seattle” chants for Shohei

(via @MLBONFOX)pic.twitter.com/ecjNIv2ieV

— Sports Illustrated (@SInow) July 12, 2023

Shohei Ohtani talks to the media about Mariner fans chanting “Come to Seattle!” at the MLB All-Star Game. pic.twitter.com/gJgonTdzuV

— The Sporting Tribune (@SportingTrib) July 12, 2023

​ Orange County Register